Color match beads

My daughter has some favorite green shoes, which she wants to wear with greys and neutrals – she clearly needed a necklace to tie in the shoes.

Beads to match shoes

I  added some ground cumin and coarsely ground black pepper to the white polymer clay, to add a bit of interest.  I mixed  a color to match the shoes (kato clay: 2 yellow, 1 turquoise and a pinch of red).   I created a skinner blend then made beads from different parts of the blend.  For the shape, I rolled lentil beads, and once I had the lentil shape, simply squashed them with the top plate.

Sublimation workshop

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Printed aluminium, silver jump rings, riveted (copper), cotton.

I recently enjoyed a five day workshop with Anna Davern at TAFTA Forum (Geelong, Australia).   The main technique was sublimation – transferring images onto plastic and metal (pre-coated with a thin plastic layer).

My inspiration was “Mrs Beeton’s All About Cookery” –  my copy was given to my grandmother in 1909.  Published in England, the recipes are intriguing – particularly the “Colonial and Foreign” section, which includes parrot pie for Australians and terrapin stew for “America and Canada” !  I love the pictures.

Once scanned, printed and transferred to metal, the main pictures are cut out with a jewelers’ saw, then riveted to background pictures of crochet.  The mangle picture is from an advertisment in the book for Champion mangles. “Ask your ironmonger for this particular mangle, accept no other“. The small crochet motifs are also printed on metal  – the cake pin is then finished with crochet cotton.

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Printed aluminium, silver jump rings, riveted (copper), crochet cotton (cake pin only).

Retro jewelry

retro cane pendantThis ‘retro’ cane is popular – it looks great and it’s not as difficult as it looks, but you do need an extruder.  The key to the look is the shape of the die you use in your extruder and your color scheme.   As long as you stack a range of colors into the extruder, the design just happens. I extruded through a square – but I would imagine it would work well with other shapes such as triangle and hexagon.   See Bettina Welker’s lovely cane made with the small circle shape.

 

Pendant for Lucy

Lucy pendant main

I enjoy the process of designing and problem solving when working with found objects.  I only do this occasionally (despite my growing collection of objects!) so it can take some time for me to work out my design, and to solve problems – such as how to attach the typewriter key.

Parts of the design is informed by the person I’m making for, but for the rest, I just decide what looks right.

found objects Continue reading

Naked Lady Cane

nude cane reductionsI made this nude cane about 14 years ago, and I still use it occasionally in my work.    These pictures show the end cut from the original cane before it was reduced, and different sizes once the cane was reduced – her body shape tends to change a little with every reduction!  See the original drawing below. Sometimes, as on this pin, I used a slice of the nude cane then added slices of face and hair canes separately.  I also made a cane  which included all these elements.  There were very few tutorials on the web at the time, and no youtube, so I worked out how to make this by trial and error.  However, Cynthia Tinapple’s video of making a face cane is similar to the technique I used, although I shaped each piece separately then packed it together.  You can see the shapes of some of the components in the big slice beside the drawing, as well as two of the pieces that went into it.

Canes can last for some time as long as they are not exposed to heat, but you need to be patient to make them usable without cracking.  I put pressure around the sides of the cane with my hands, and very gradually try to reduce it – this can take some time with an old cane.  Alternatively, if the cane is at the size I need, once it’s a little warmed up in my hands, I carefully cut a thin slice, place it between two pieces of baking paper and gently rub with my finger. The warmth and friction make it pliable enough to add to a bead – like this one below.

Jill pendant detail lighternude cane drawing

Repetition, repetition…

I’m always amazed by the intricate patterns that emerge from repeating a random design, which initially doesn’t look that interesting.  These are called ‘kaleidoscope canes’ for obvious reasons.

The original group of canes is pushed together, and shaped into a long triangle, cut in half and packed together, worked until it is longer then cut in half again and so on.  In this case I had a bluey-green cane with some interest (left over from a Sarah Shriver workshop) but I’ve had lovely results with just plain colors.

kaleidoscope 1

Starting with canes left over from other projects, they are stacked together (top left). The black, white and green flap was then folded down and the entire stack was pushed into a triangular shape.

Slices from each of the 4 steps in the cane.

At top left is a slice taken from the original cane once it has been pushed into a triangle shape. The edges are straightened further, the cane is cut in half and doubled up to create another long triangle (top right). This is reduced and stretched further, cut into four and packed together again. Finally this last step is repeated.

Pendant made from the cane

Pendant made from the cane

Here is a good basic tutorial for this type of cane, just using plain colors.

For lovely work using kaleidoscope canes, see work by Carol Simmons and Sarah Shriver.

Clock pin/pendant

Having made a number of polymer clay clocks, I was keen to see if I could make one small and light enough to wear as a pin or pendant.  I made the basic shape from Sculpey Light and cut out the centre to hold the watch, then applied black Kato, and some Fimo Classic canes.  (I changed from Fimo to Kato when my supplier stopped stocking Fimo Classic after the change in formula, but I have a few canes left which are still usable once I work them a bit.)

I drilled a hole and threaded a head pin through the side of the piece, then through the small hole in the lug, holding the watch but allowing it to hinge out.  Two pin backs attach to clothing or to the jump rings beside the necklace clasp.

I initially embedded the pin backs in so far they were too short, and I had to take them out and redo them.  However, next time I would do them a little shorter.

Big beads

big beads

Summer holidays gave me a chance to get out the polymer clay, and try to recall some of the techniques I learned at CFCF early last year.  I used Sarah Shriver’s reverse inlay technique for the white spotted bead, Lindly’s sandpaper texture for the round beads (not enough color to incorporate Lindly’s other techniques!) and some of Jeffrey Lloyd Dever’s techniques to make the beads (if you’ve done Jeffrey’s class you’ll know there’s a lot of spit involved!)   I actually used Sculpey ultra-light as the core – so they’re not too heavy – but had a few challenges along the way.  The grey to white bead with the white marks on it only got the marks when the bead cracked in a few places when it was baked!  I added a few more cracks and filled them with white.  These are my favorite colors, and I love wearing it.

Printers’ trays

printers trays wp

Better than getting a printer’s tray for Christmas – two printer’s trays!  The design is beautiful, perhaps more so because it was purely functional.  See here for a demonstration of how they were used in the printing industry.  According to this article, which explains the layout, compared to previous designs it reduced a compositor’s hand travel by more than half a mile per day.

I first started collecting bits and pieces, sometimes taking things like cameras apart, with the intention of incorporating them into jewelry and other creations.  However, with more ‘stuff’ than I’ll ever use,  the collecting has become an end in itself  – at least I now have a way to display some of my favorite finds.